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    <title>Music on anitabyte</title>
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    <description>Recent content in Music on anitabyte</description>
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    <lastBuildDate>Sun, 08 Oct 2023 23:59:15 +0100</lastBuildDate>
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    <item>
      <title>Listening - 2023-10-08</title>
      <link>/posts/listening_2023-10-08/</link>
      <pubDate>Sun, 08 Oct 2023 23:59:15 +0100</pubDate>
      <guid>/posts/listening_2023-10-08/</guid>
      <description>&lt;table&gt;&#xA;  &lt;thead&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;th&gt;&lt;/th&gt;&#xA;          &lt;th&gt;Artist&lt;/th&gt;&#xA;          &lt;th&gt;Title&lt;/th&gt;&#xA;          &lt;th&gt;Album&lt;/th&gt;&#xA;          &lt;th&gt;Plays&lt;/th&gt;&#xA;      &lt;/tr&gt;&#xA;  &lt;/thead&gt;&#xA;  &lt;tbody&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;1&lt;/td&gt;&#xA;          &lt;td&gt;Petrol Girls&lt;/td&gt;&#xA;          &lt;td&gt;Sick &amp;amp; Tired&lt;/td&gt;&#xA;          &lt;td&gt;Baby&lt;/td&gt;&#xA;          &lt;td&gt;7&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;2&lt;/td&gt;&#xA;          &lt;td&gt;Destroy Boys&lt;/td&gt;&#xA;          &lt;td&gt;Drink&lt;/td&gt;&#xA;          &lt;td&gt;Open Mouth, Open Heart&lt;/td&gt;&#xA;          &lt;td&gt;5&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;3&lt;/td&gt;&#xA;          &lt;td&gt;Petrol Girls&lt;/td&gt;&#xA;          &lt;td&gt;Bones&lt;/td&gt;&#xA;          &lt;td&gt;Baby&lt;/td&gt;&#xA;          &lt;td&gt;5&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;          &lt;td&gt;Lucy Dacus&lt;/td&gt;&#xA;          &lt;td&gt;Timefighter&lt;/td&gt;&#xA;          &lt;td&gt;Historian&lt;/td&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;5&lt;/td&gt;&#xA;          &lt;td&gt;Julien Baker&lt;/td&gt;&#xA;          &lt;td&gt;Sprained Ankle&lt;/td&gt;&#xA;          &lt;td&gt;Sprained Ankle&lt;/td&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;6&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Paprika&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;7&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Be Sweet&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;8&lt;/td&gt;&#xA;          &lt;td&gt;Petrol Girls&lt;/td&gt;&#xA;          &lt;td&gt;Violent by Design&lt;/td&gt;&#xA;          &lt;td&gt;Baby&lt;/td&gt;&#xA;          &lt;td&gt;3&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;9&lt;/td&gt;&#xA;          &lt;td&gt;Petrol Girls&lt;/td&gt;&#xA;          &lt;td&gt;Unsettle&lt;/td&gt;&#xA;          &lt;td&gt;Baby&lt;/td&gt;&#xA;          &lt;td&gt;3&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;10&lt;/td&gt;&#xA;          &lt;td&gt;Tiny Moving Parts&lt;/td&gt;&#xA;          &lt;td&gt;The Midwest Sky&lt;/td&gt;&#xA;          &lt;td&gt;Breathe&lt;/td&gt;&#xA;          &lt;td&gt;3&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;  &lt;/tbody&gt;&#xA;&lt;/table&gt;&#xA;&lt;p&gt;I&amp;rsquo;ve been running to the &lt;em&gt;Petrol Girls&lt;/em&gt;&amp;rsquo;s &lt;em&gt;Baby&lt;/em&gt; as a replacement for &lt;em&gt;Refused&lt;/em&gt;&amp;rsquo;s &lt;em&gt;The Shape of Punk to Come&lt;/em&gt; for high-tempo music with sufficient ire behind it to help me push through the fact that I hate moving my body in this way. It&amp;rsquo;s been a worthy change: Ren Aldridge&amp;rsquo;s vocals have a grit that Dennis Lyxzén&amp;rsquo;s just lack and the instrumentation - while not as genre-deviating as the introduction to &lt;em&gt;Tannhäuser/Derivè&lt;/em&gt;, as an example - has its moments that stave off any potential motonomy, with the incredibly bouncy verse riff in &lt;em&gt;Preachers&lt;/em&gt; being set at odds with the slower and somewhat syncopated rhythms of &lt;em&gt;Unsettle.&lt;/em&gt; The only really offputting thing about the album is the switching between a &amp;rsquo;long a&amp;rsquo; and &amp;lsquo;short a&amp;rsquo; vowel sound in the pronunciation of &amp;lsquo;bath&amp;rsquo; in &lt;em&gt;Bones&lt;/em&gt;, which as someone who speaks English correctly bothers me (&amp;lsquo;short a&amp;rsquo; only, there&amp;rsquo;s no &amp;lsquo;r&amp;rsquo; in the word).&lt;/p&gt;</description>
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    <item>
      <title>Listening - 2023-10-01</title>
      <link>/posts/listening_2023-10-01/</link>
      <pubDate>Sun, 01 Oct 2023 23:59:15 +0100</pubDate>
      <guid>/posts/listening_2023-10-01/</guid>
      <description>&lt;table&gt;&#xA;  &lt;thead&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;th&gt;&lt;/th&gt;&#xA;          &lt;th&gt;Artist&lt;/th&gt;&#xA;          &lt;th&gt;Title&lt;/th&gt;&#xA;          &lt;th&gt;Album&lt;/th&gt;&#xA;          &lt;th&gt;Plays&lt;/th&gt;&#xA;      &lt;/tr&gt;&#xA;  &lt;/thead&gt;&#xA;  &lt;tbody&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;1&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Posing in Bondage&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;8&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;2&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Be Sweet&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;8&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;3&lt;/td&gt;&#xA;          &lt;td&gt;Courtney Barnett&lt;/td&gt;&#xA;          &lt;td&gt;Pedestrian at Best&lt;/td&gt;&#xA;          &lt;td&gt;Sometimes I Sit and Think, and Sometimes I Just Sit&lt;/td&gt;&#xA;          &lt;td&gt;7&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Slide Tackle&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;6&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;5&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Savage Good Boy&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;6&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;6&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;In Hell&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;6&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;7&lt;/td&gt;&#xA;          &lt;td&gt;Olivia Rodrigo&lt;/td&gt;&#xA;          &lt;td&gt;bad idea right?&lt;/td&gt;&#xA;          &lt;td&gt;GUTS&lt;/td&gt;&#xA;          &lt;td&gt;5&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;8&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Paprika&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;9&lt;/td&gt;&#xA;          &lt;td&gt;Japanese Breakfast&lt;/td&gt;&#xA;          &lt;td&gt;Kokomo, IN&lt;/td&gt;&#xA;          &lt;td&gt;Jubilee&lt;/td&gt;&#xA;          &lt;td&gt;4&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;      &lt;tr&gt;&#xA;          &lt;td&gt;10&lt;/td&gt;&#xA;          &lt;td&gt;Olivia Rodrigo&lt;/td&gt;&#xA;          &lt;td&gt;love is embarrassing&lt;/td&gt;&#xA;          &lt;td&gt;GUTS&lt;/td&gt;&#xA;          &lt;td&gt;3&lt;/td&gt;&#xA;      &lt;/tr&gt;&#xA;  &lt;/tbody&gt;&#xA;&lt;/table&gt;&#xA;&lt;p&gt;I&amp;rsquo;ve been reading &lt;a href=&#34;https://en.wikipedia.org/wiki/Crying_in_H_Mart&#34;&gt;&lt;em&gt;Crying in H Mart&lt;/em&gt;&lt;/a&gt; and it&amp;rsquo;s already changed how I view Japanese Breakfast&amp;rsquo;s music: everything in &lt;em&gt;Slide Tackle&lt;/em&gt;&amp;rsquo;s revisiting of an obsession and wanting to be better has become a matter of the fact that Michelle Zauner&amp;rsquo;s mother insisted she could never keep up with her extracurriculars as a child. Was football another one of these? Did she wish she could have &amp;lsquo;[navigated] the hate in her heart&amp;rsquo; to stick with the sport? Is the &amp;lsquo;ache&amp;rsquo; she sought to meet the one for a past love of a sport? Sometimes heartbreak is just heartbreak, as much as Gareth Campesinos&amp;rsquo;s love of football allegories may have conditioned me otherwise when someone mentions the ugly game: &lt;em&gt;For Whom The Belly Tolls&lt;/em&gt;&amp;rsquo;s &amp;lsquo;Scout yourself as a one-man team/You&amp;rsquo;re a one-club man denied a testimonial&amp;rsquo; and &lt;em&gt;Every Defeat a Divorce&lt;/em&gt;&amp;rsquo;s turning-around of &lt;em&gt;Three Lions&lt;/em&gt; will probably remain for the rest of my life the only things inspired by football that have brought any beauty into the world.&lt;/p&gt;</description>
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